A Major 7th (Amaj7)

1+3+5+7
AEC#G#
4 4
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Notes in A Major 7th

A (root)C#EG#

Inversions

Same notes as A Major 7th, with a different chord tone as the lowest note. Useful for smoother movement between chords instead of jumping around the keyboard.

Root position

A in the bass

AEC#G#

1st inversion

C# in the bass

EAC#G#

2nd inversion

E in the bass

EAG#C#

3rd inversion

G# in the bass

AEG#C#

Open voicings

A close-position chord like A Major 7th can sound cluttered in the middle of the keyboard. Jazz players open it up by dropping one note down an octave, spreading the same notes wider without changing the chord.

Drop 2

E on the bottom

EAC#G#

Drop 3

C# on the bottom

AEC#G#

A Major 7th consists of A, C#, E and G#, played at the same time.

Top a major triad with a major seventh instead of a minor one and the chord stays inside its own key rather than pulling anywhere. The result is warm and reflective, a little more sophisticated than a plain triad, and it shows up constantly in soul, bossa nova and any film cue that wants a major chord to sound thoughtful rather than triumphant.

Difficulty: Intermediate. Category: Seventh chords. Click any key on the diagram above to hear that single note.