V - vi
Also known as the deceptive cadence.
The dominant sets up a homecoming and then lands on the relative minor instead. That one sidestep is enough to keep a final chorus going, or to make an ending bittersweet rather than settled.
Also known as the deceptive cadence.
The dominant sets up a homecoming and then lands on the relative minor instead. That one sidestep is enough to keep a final chorus going, or to make an ending bittersweet rather than settled.