G Add9 (Gadd9)

Download MIDI
1+3+5+9
GBDA
4 4

Notes in G Add9

G (root)BDA

Inversions

Same notes as G Add9, with a different chord tone as the lowest note. Useful for smoother movement between chords instead of jumping around the keyboard.

Root position

G in the bass

GBDA

1st inversion

B in the bass (Gadd9/B)

BDAG

2nd inversion

D in the bass (Gadd9/D)

DAGB

3rd inversion

A in the bass (Gadd9/A)

AGBD

Open voicings

A close-position chord like G Add9 can sound cluttered in the middle of the keyboard. Jazz players open it up by dropping one note down an octave, spreading the same notes wider without changing the chord.

Drop 2

D on the bottom

DGBA

Drop 3

B on the bottom

BGDA

Press G, B, D and A together on the keyboard and you're playing G Add9.

Take a plain major triad and drop a ninth on top without adding a seventh underneath it, and the result is bright, open and thoroughly modern. Unlike a full ninth chord it never tips into jazzy territory, which is exactly why it's a staple of pop and singer-songwriter piano and guitar parts.

Difficulty: Intermediate. Category: Extended chords. Click any highlighted key on the diagram above, or tab to it and press Enter, to hear that single note. Inversions mark the bass note with a contrasting outline.