E Dominant 11th (E11)

1+3+5+b7+9+11
EBDAG#F#
4 4
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Notes in E Dominant 11th

E (root)G#BDF#A

Inversions

Same notes as E Dominant 11th, with a different chord tone as the lowest note. Useful for smoother movement between chords instead of jumping around the keyboard.

Root position

E in the bass

EBDAG#F#

1st inversion

G# in the bass

BDAEG#F#

2nd inversion

B in the bass

BDAEF#G#

3rd inversion

D in the bass

DAEBF#G#

4th inversion

F# in the bass

AEBDF#G#

5th inversion

A in the bass

AEBDG#F#

Open voicings

A close-position chord like E Dominant 11th can sound cluttered in the middle of the keyboard. Jazz players open it up by dropping one note down an octave, spreading the same notes wider without changing the chord.

Drop 2

E on the bottom

EBDAF#G#

Drop 3

D on the bottom

DEBAG#F#

Play E, G#, B, D, F# and A together and you get E Dominant 11th.

A dominant ninth chord extended with an eleventh, though in practice pianists often leave the third out since it sits a half step below the eleventh and the two can clash. What's left has a fuller, more suspended color than a plain dominant chord, and it turns up constantly in funk and modal jazz.

Difficulty: Advanced. Category: Extended chords. Click any key on the diagram above to hear that single note.